The other 25% will be funneled into a fund controlled by both SAG-AFTRA and AMPTP trustees to be distributed among the rest of the union’s members. However, the performer will only receive 75% of that payment. “Views” are defined as the hours viewed divided by the runtime of a project, rather than the true number of unique accounts that interact with the title.įor the WGA, the credited writer for each episode will receive an additional 50% of their fixed domestic and foreign residual if the show meets the above criteria.įor SAG-AFTRA, any title that surpasses the viewership threshold will trigger a payment to each principal performer equivalent to 100% of the fixed residual.

In order to be eligible for the bonus, a title must receive enough domestic “views” in its first 90 days to be equivalent to 20% of the streaming service’s domestic subscribers.

“The splashiest of shows are really the ones. They kept it in some way in a box, and they kept it to a result that ultimately will not really pull in a huge number of shows,” one top agent told Deadline. “I would say the studios didn’t go hugely far with what they were doing. This bonus structure may not have been exactly what either union had in mind when they entered negotiations, but it’s a start. While SAG-AFTRA, which is waiting for the results of its ratification vote December 5, had initially hoped for more, it ultimately agreed in its tentative agreement to a bonus structure similar to the WGA’s. The WGA’s contract, which was secured in September, included a bonus structure that would trigger an additional payment for any title that met a specific viewership threshold. These gains are just a start, according to SAG-AFTRA’s National Executive Director and Chief Negotiator Duncan Crabtree-Ireland, who told Deadline that the guild would look to negotiate lower barriers to entry for bonuses and greater transparency in future negotiations.īoth guilds set their sights on a success-based residual for streaming titles from day one of talks in an effort to address the dwindling payouts their members are receiving in the streaming era, but the Alliance of Motion Picture and Television Producers was reluctant to agree. On the other hand, it might be hard for shows on other streamers such as Amazon’s Prime Video to come close to the new targets given that the company has nearly 170 million subscribers, most of which are likely more interested in free shipping than watching The Peripheral.

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